In a small South Korean village, while investigating the death of two people in strange circumstances, a grumpy policeman will live an overwhelming experience beyond the reality he has known so far.

Anita & Me tells the tale of Meena Kumar, a twelve-year-old girl who is discovering life in a whole new light. She lives with her parents in a small mining town called Tollington, in the Black Country of England in the 1970's. She is forever dreaming of a life other than her own, something that her parents can't understand. They believe that she should be studying hard and learning about her Asian heritage. But Meena wants to be blonde and stylish, and looks to her diary as her only escape from the boredom of daily life. But she suddenly finds herself entranced when the Rutter family become her new neighbours. They're loud and brash, and Meena is drawn to eldest daughter Anita. She's fourteen, blonde, confident and outspoken, and Meena worships her. They are complete opposites, but they form a surprising friendship. Anita and some of the local girls have a gang, and Meena is allowed to join. She is naturally thrilled, and they convene in a den in a sprawling wood that supposedly belongs to a Yeti. There, they read Jackie magazine, paint their toenails and dream of what life will be like when they grow up. But Anita is older, and desires boys and life in the fast lane, and soon finds those pastimes more interesting than Meena. Meanwhile, Meena's parents are facing the brunt of racism, and get worried that Meena will go off the rails. They ultimately forbid Meena from socialising with Anita, and try and immerse her in more worthy activities. They slowly drift apart, but Meena soon discovers what Anita has been doing since, and things become very tense. What could have been a lifelong friendship may soon turn nasty, and there are many shocking things yet to come. 　　After much anticipation of Anita & Me being a brilliant film, it ended up being disappointingly average. It wasn't a dismal experience, and there were many moments to be savoured, but it's no classic. Since this was an adaptation of Meera Syal's celebrated novel, it should have been sensational. Not to be, I'm afraid. The one big problem I did have with the film was how, in a way, amateurish it all was. The sentiment and spirit of what could have been a touching story was lost by numerous poor factors. The performances were a mixed bag, ranging from the wonderful to the abysmal. Chandeep Uppal doesn't make a great impression as Meena. Since her character has the task of carrying the film and bringing us into her world, there has to be a level of sophistication, regardless of whether she may be twelve or eighty. Uppal's narration is monotonous and dreary, and there's barely any emotion to be seen on her face throughout. Anna Brewster manages to fare worse as Anita. It's hard to take that she has enamoured Meena, since she is nothing but wooden at all times. Since they are the central characters, they need to be interesting, yet turn out to be anything but. The supporting cast, in contrast, are excellent, but not given nearly enough time to shine. Sanjeev Bhaskar and Ayesha Dharker are effective as Meena's parents, Max Beesley makes a brief but amusing appearance as a local rocker, and Meera Syal and Omid Djalili are hilarious as Meena's overbearing aunt and uncle. But the best performances, naturally, come from Kathy Burke and Lynn Redgrave. Burke's appearance is fleeting, but lights up the whole affair as Anita's acid-tongued mother. Redgrave is also sumptuous as the local shopkeeper, who despises the reverend's attempts to set up a charity fund for babies in Africa and delights in showing Meena postcards from her daughter's travels. Whilst the piece is set in the early '70's, it is only fitting that there should be an appropriate soundtrack. Even though the chosen songs are good, they become unbearable at times. They cloud over the rest of the film, and are totally out of place at times. The direction is fine, if not perfect, and overall, Anita & Me ends up being a passable slice of entertainment. It's a shame really, as it could have been so much more. While this hasn't been the biggest disappointment I've had regarding a film this year, it's still not a memorable one. A nice film, but not spectacular.

Lyricist Harmony insists on wallowing in misery eons after being unceremoniously dumped by his girlfriend. While the members of Harmony's family are long over his antics, that doesn't stop him from milking his heartbreak and telling his tale of woe to anyone who will listen.

Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off immediately and escape the clinic to travel to Montana and find the bike from Easy Rider. Different from most road movies in that no'one gets murdered and no vengeance is reaped. On the contrary, the characters let their pasts and memories lead them down the road to emotional self-destruction. In other words there is no seductive emancipation here, just people with problems that won't go away with a rev of a motor.

The world becomes unpredictable when the pandemic happens. But in the face of despair, people put aside reasons and stop worrying. For these couples from Malaysia, Indonesia, and Korea, even love blossoms. They embrace each other and cling to one another desperately and fearlessly. Kuala Lumpur, Jakarta, and Seoul. Three couples in three cities in three countries: The paths of a telemarketer for a loan company and a cart rink owner are destined to cross. A pub owner and a woman with their own background stories. A virgin forklift operator who has never kissed before and a kiss-for-sale manager.

A business mogul's grandson, who has 7 personalities, and a female physician who becomes his secret doctor.

A quiet, professional killer, Hyun-jun, arrives at a house to kill a man in his sleep, only to discover a woman alone under the sheets. Jin-young has decided to kill herself after a traumatic break up with her lover of seven years, but she wants to go out with a bang, not with a miserable and lonely dose of commonplace sleeping pills. The most extraordinary love story begins.

朱恩（June）在哥哥去世后搬到意大利，寻求新的开始。在她的新精英学校里，她被詹姆斯（James）吸引，詹姆斯是个勇敢却危险的人，卷入了非法综合格斗（MMA）比赛，但她却开始和詹姆斯最好的朋友威尔（Will）约会，威尔是个完美的模范学生。然而，表象具有欺骗性，朱恩很快发现学校里的人都并非表面那样，每个人都隐藏着秘密。随着紧张局势加剧，隐藏的真相浮出水面，朱恩需要决定自己的心真正属于谁。

朱恩（June）在哥哥去世后搬到意大利，寻求新的开始。在她的新精英学校里，她被詹姆斯（James）吸引，詹姆斯是个勇敢却危险的人，卷入了非法综合格斗（MMA）比赛，但她却开始和詹姆斯最好的朋友威尔（Will）约会，威尔是个完美的模范学生。然而，表象具有欺骗性，朱恩很快发现学校里的人都并非表面那样，每个人都隐藏着秘密。随着紧张局势加剧，隐藏的真相浮出水面，朱恩需要决定自己的心真正属于谁。

After standing in as best man for his longtime friend Carl Petersen, Randy Dupree loses his job, becomes a barfly and attaches himself to the newlywed couple almost permanently -- as their houseguest. But the longer Dupree camps out on their couch, the closer he gets to Carl's bride, Molly, leaving the frustrated groom wondering when his pal will be moving out.